SXSW Review: Reel Injun01: 03 15/03/2010, Peter Martin, Adam Beach, adambeach, by Jim Jarmusch, jimjarmusch, Native Americans, Native peoples, nativea

SXSW Review: Reel Injun01: 03 15/03/2010, Peter Martin, Adam Beach, adambeach, by Jim Jarmusch, jimjarmusch, Native Americans, Native peoples, nativeamericans, nativepeoples, Neil Diamond, neildiamond, north of the Native Americans , northamericannatives, drums of India, reelinjun, sxsw10, sxsw2010, Cinematical


Much more than just a collection of clips, Reel Injun proves to be a semi-proof of personal enlightenment. Neil Diamond The filmmaker travels across North America as a backdrop for his exploration of the legacy of Hollywood in the representation of indigenous peoples on the big screen. Tip: You are very poor.

India Reel includes interviews with Clint Eastwood, Jim Jarmusch and director Chris Eyre, actor Adam Beach, and comedian Charlie Hill, along with versatile and influential media of Russell and John Trudell. Sacheen Littlefeather recounts his life that led to the memorable night when he refused the Oscar for Marlon Brando, media and Trudell remember what he meant, which came in through the acquisition of Wounded Knee, South Dakota.

But Diamond begins with the films that are large and well known targets. They Died with Their Boots On (1941) and Stagecoach (1939) reduces the cartoon offensive to American Indians as bloodthirsty savages, "injuns" who were blocking the progress of the "real" Americans, ie white people. Then, the film puts things in context with a brief account of the injustices to all natives of North America and the letters of the ups and (mostly) under large-screen incarnations.

Early American cinema was actually very favorable to the Indians. In the sound era began, however, films with a positive image did not do well at the box office. And then, as now, Hollywood was looking for new villains.
Filed under: Documentary, Independent, SXSW, Theatrical Reviews, Cinematical Indie

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